A unit of work created by Mike Ferguson
The aim of the following worksheets is to help you read and understand as fully as possible the short story The Darkness Out There.
When you read a story that you are studying for an examination it is important to gain as much information as you can about elements such as structure, plot, language (both as descriptive detail and dialogue) and characterisation. All of these and more will contribute to the ultimate meaning or message. There will not necessarily be a right answer to any of these or other aspects of a story, but whatever your view and understanding, you need to support this with evidence.
The worksheets will prompt you to read certain pages carefully and to search for and select specific pieces of information. You will be asked to think about suggestions or clues being made at certain points in the story. This may lead to you making predictions about possible conclusions or meanings.
Eventually, you will be able to make some annotations (notes) on the story itself so that you can have these with you in the examination. It is extremely important that these annotations are light, in other words, brief, general suggestions and helpful hints to guide you when answering exam questions. Too many detailed notes will only encourage you to copy them out in full. This generally leads to irrelevant responses and ones that will not read as fresh and thoughtful.
To do well in your GCSE Literature examination there will be many aspects of your writing which will lead to the highest marks for which you as an individual are capable. One key area is in the level of response you make to particular points. The marking criteria label this as the ability to identify, explain and explore. You should see this as a ladder, and the higher you can climb, the higher your marks will be. For example:
The higher rungs of the ladder, where you can explain and explore, are only reached with careful reading and the hard graft of actually making notes about the many elements that contribute to the meaning of a good short story. These worksheets will help you with your climb!
Read pages 56-57 (NEAB Anthology 2000/2001)
(a) Bright, positive images/references |
(b) Dark, negative images/references |
e.g. 'bare brown legs brushing through the grass, polleny summer grass that glinted in the sun'
|
e.g. 'voices coming out of the trees, nasty, creepy' |
Characterisation
Most short stories will obviously contain various characters - people who are affected by or in control of the events and situations described in the story. These people will come in all shapes, sizes and types. Their characterisation comes about by the author's direct description of their appearance, attitude and behaviour. As readers we will also learn about them through what they actually say and do.
A miserable, grumpy person might be described as having dark eyebrows, a scowling frown, stooping shoulders and a lazy waddle of a walk. He might say "Bugger off and get out of my way. You young people are always hangin' around where you're not wanted!" On the other hand, a happy, friendly person might be described as having bright blue eyes, a perpetual smile, upright posture and an energetic march of a walk. He might say "What a fantastic time I'm having at school today. I can't wait to get to English and read some great stories!"
The above are rather simple descriptions, but you get the idea! Characters in short stories will often be quite complex and it isn't always clear from the beginning just how we as readers should view and perhaps even judge them. It takes careful reading to get to know the people in a story.
When writing about these characters and their thoughts and feelings you will again need evidence to support your views. The following tasks are designed to get you thinking carefully about the main characters Mrs Rutter, Sandra and Kerry from The Darkness Out There.
Read pages 58-59 (up to line 164)
Read pages 58-60 (from lines 139 to 228)
NB When supplying evidence in your writing to back up your views on characters, it will be useful to produce quotations from the text. These should be reasonably brief. Introduce your quote by providing a context (what you think it shows or where it is from in the text, and so on) and add a comment to show that you understand its relevance. Always put quotes in quotation marks.
Sandra |
Kerry |
e.g. Sandra is a little 'precious', like when she thinks of Kerry's job as a mechanic: "She thought of the oily workshop floors, of the fetid underside of cars". These are rather melodramatic descriptions.
|
e.g. Kerry's early description is quite negative: "His chin was explosive with acne". The word 'explosive' exaggerates his condition. |
Reassessment
Read the remainder of the story.
Sometimes, a person in a story will have her or his character-traits consolidated by what we continue to learn about them after our first meeting. If they initially appear generous, we might continue to see acts of kindness. If initially nasty, we might continue to see examples of their evil side.
However, it is equally the case, as in real life, that first impressions are deceptive! Is this the case with Mrs Rutter, Sandra and Kerry?
Make notes in the columns below of Before and After characteristics of the these three people. Refer to specific details:
Before |
After |
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Mrs. Rutter |
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Sandra |
|
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Kerry |
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Symbolism
Short stories and novels will often include elements that shouldn't be read and taken literally. In other words, they should not always be taken at face value and may in fact be used to suggest or represent other features. These elements may be the characters, a particular place, a particular object or the overall situation. When this happens we refer to these as symbolic (an easy way to think of the word symbolic is when what is described is being used to represent something else). Some famous examples are:
The Darkness Out There
You should have already discovered how characters can be used to represent good and bad features. You will have also discovered how this can be a complex business when first impressions can be so deceiving! In this story, Kerry's acne is a symbol of his youth, but also of how it should not be used to misjudge him. The symbolic line "His anger eclipsed his acne" demonstrates how shallow it was for Sandra, herself a symbol of naivet�, to brand him as a bad person.
However, the most important symbol in this story is Packer's End.
This resource by Mike Ferguson was found free at www.englishresources.co.uk
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